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Clyde Butcher Photographs and Prints


The portable works component of Florida Gulf Coast University’s public art collection includes eight prints and four photographs by renowned Florida landscape photographer Clyde Butcher. Seven of the prints hang in the 4th floor office lobby and rooms 4310 and 4312 of Lutgert Hall and the other is in Conference Room 306 in Holmes Hall. The four photographs are:

  • Thompson Pine Island Road #6 in the 4th Floor Dean’s Office in Academic Building – 7;
  • Loxahatchee River #2 (1997) in Room 224 of Library West;
  • Loose Screw Sanctuary (1997) in the First Floor Atrium of Library East; and
  • Cayo Costa Island #3 in Room 17 in the physical plant of the Campus Support Complex.


About Clyde Butcher

Butcher photoThe majestic beauty, boldness and depth of Clyde Butcher’s photographs have earned him recognition as the foremost landscape photographic artist in America today. For more than forty years, he has been preserving on film untouched areas of landscape. Although he will always be associated with the Florida Everglades, Butcher is deeply committed to recording and Butcher Photo 3protecting precious landscapes throughout the world.

Among his numerous awards and accolades is membership in the Artist Hall of Fame, the highest honor that the State of Florida can award to a private citizen. Butcher is also a recipient of the State of Florida’s Heartland Community Service Award in recognition of the role he has played in educating the people of Florida about the beauty of Butcher Tallest Black Mangrove in Florida Mound Keytheir state. In a similar vein, the Sierra Club has given him the Ansel Adams Conservation Award, which is given to photographers who show excellence in photography and have contributed to the public’s awareness of the environment. Butcher has also received the North American Nature Photography Association’s Lifetime Achievement Award, International University’s 2005 Humanitarian of the Year Award, and the 2011 Distinguished Artists Award from the Florida House in Washington D.C.

The beauty and importance of his photography has resulted in museum exhibits throughout the United States, an exhibit at the National Gallery of Art in Prague celebrating the new millennium, Butcher Photo 17and a request by the United Nations to photograph the mountains of Cuba to commemorate The Year of the Mountains.

Collections of Butcher’s work can be seen in his books, which include:

  • Portfolio I, Florida Landscapes;
  • 1995 Limited Edition Collection;
  • Visions for the Next Millennium;
  • Butcher Photo 18Nature’s Places of Spiritual Sanctuary;
  • Florida Landscape;
  • Living Waters – Florida’s Aquatic Preserves;
  • Cuba – The Natural Beauty;
  • Apalachicola River – An American Treasure;
  • Seeing the Light: Wilderness and Salvation, a Photographer’s Tale;
  • America the Beautiful, a table top collection of Butcher Photo 19his work from across the United States;
  • Big Cypress Swamp – The Western Everglades, which features images from the Big Cypress Swamp where he and wife Niki made their home for 16 years; and
  • Portfolio II – Florida, a collection of images from Florida.

Clyde 06Clyde had either hosted or been the featured guest in six Public Broadcasting programs, including an award-winning half-hour documentary on Clyde titled Visions of Florida, Big Cypress Preserve: Jewel of the Everglades, Living Waters – Aquatic Preserves of Florida, which Clyde hosted, and Apalachicola River – An American Treasure, in which Clyde was the featured guest. As these award-winning documentaries underscore, the Everglades possesses particular significance to Clyde 05Butcher. The Everglades have changed much in the last 100 years. Originally comprising more than 3 million acres, early settlers drained the land for agriculture and diverted the natural flow of water to rivers like the Caloosahatchee. In the aftermath of the destructive hurricanes of 1926 and 1928, miles of canals, dikes and dams were installed to protect the land around Lake Okeechobee from Clyde 07flooding. Urban areas and their highway connections have further encroached on the watershed and siphoned its water. But through the years, Butcher’s photography has demonstrated that the Florida of times past is still there, even if its harder to find and reach.

Other projects include work for Florida’s “Save Our Rivers” program, the South Florida Water Management District, the Department of Environmental Protection, Divisions of State Lands, the Bureau of Submerged Lands and Preserves, Everglades National Park, Rocky Mountain National Park, the Audubon Society, The Nature Conservancy, River Keepers and the Wilderness Society.


His Photography

Butcher Photo 20Clyde Butcher’s black-and-white landscape photography is known for evoking a feeling that America’s vistas are timeless even as development approaches. His images of the Florida Everglades, national parks and Cuba are celebrated for the tiny details that emerge from each print – the texture of bark, the veins of a leaf, the ripples within the shadow of a cloud reflected in a body of water. But Butcher Photo 21beyond the aesthetic merits of his work, what distinguishes Clyde Butcher’s photography from that of other landscape photographers is the incredibly detailed mural-sized prints he produces.

By carefully matching view camera format size to the subject matter being photographed, Butcher is able to make prints measuring up to 5 x 9 feet that Image11enable the viewer to experience the breadth and scope of the landscape in the same way that Butcher sees it in the field. Toward the end, Butcher captures his images using a combination of 8 x 10 inch, 11 x 14 inch, and 12 x 20 inch view cameras. These large format cameras enable him to express the elaborate detail and textures that distinguish the intricacy of the landscape.

Clyde 01To capture the images he covets, Butcher hikes off the beaten path with large format cameras, lenses and unexposed film in tow to get just the right shot. He has been known to stand in chest-deep water for hours, waiting until the light, clouds and composition of each dramatic composition come together. “I try to use the largest film possible for the particular subject I’m planning to photograph,” Clyde explains. “So if I have a huge, broad Clyde 09landscape, I use the 12 x 20 inch view camera. If I am photographing something like the Ghost Orchid, I use a 4 x 5 inch view camera.”

Clyde began making large prints as long ago as 1968, but over the last twenty or so years, he has refined and perfected his technique of producing mural-sized prints. “The first time I did a huge print, I had to wash it in a swimming pool,” laughs Butcher. “Eventually, I moved into a large space, where I built big sinks to handle the large sizes of my prints.”

Image25“I want people to view my work up close,” muses Clyde about his desire to create large scale prints. “When you’re in nature, you’re scanning from the log to that tree to the bird to the water, and your mind puts the images together to create the feeling of the scene. When you view my large prints, your mind does the same thing because you cannot see all the images all at once. And sharpness is the key Image29to it. Your eyes – your brain – wants things to be clear and sharp. All of that makes the viewer relate to my images in a way that is similar to the peace felt when being out in nature. I want my images to create a positive emotion in people, with the hope that they carry that emotion out into their lives to make the world a better place in which to live.”

Image31Within the last couple of years, Butcher has begun to substitute lightweight, compact point-and-shoot digital cameras for the heavy, clunky view cameras and wide angle lenses of the past. However, his emphasis remains unchanged. He still looks for angles and details that will draw his viewers into each image he takes. “When I see a scene that stirs my soul, I photograph it. Since I have been Image28photographing the landscape for over fifty years, I instinctively see texture, value, scale and composition, which create a satisfying photograph to me personally. I’m always glad when it’s well-received by others.”

While, in the end, Butcher’s black-and-white photographs explore his own uniquely personal relationship with nature, he does hope that his images inspire feelings of stewardship toward the environment. The wilderness has always been a place where he’s found sanctuary and serenity. It was there he sought refuge after his 17-year-old son, Ted, was killed by a drunk driver. “The mysterious spiritual experience of being close to nature helped restore my soul. It was during that time, Image26I discovered the intimate beauty of the environment. My experience reinforced my sense of dedication to use my art form of photography as an inspiration for others to work together to save nature’s places of spiritual sanctuary for future generations.”


Fast Facts

  • Clyde 03Butcher California Polytechnic University in 1960, majoring in architecture.
  • While visiting Yosemite National Park in 1963, he learned about the photography studies of Ansel Adams.
  • During his senior year of college, Butcher married his college sweetheart Niki.
  • During college, Butcher presented his Image30architecture projects by creating and photographing miniature scale models instead of making drawings.
  • After graduation, Butcher launched a short-lived career in architecture. However, before transitioning into photography full-time in Butcher Photo 111970, he was responsible for a portion of the design of the Transamerica Pyramid in San Francisco, California.
  • After leaving architecture, Butcher established a firm that marketed and sold his images to the wall décor departments of Sears, Montgomery Ward, and J. C. Penney that eventually supported nearly 200 employees and offices in Akron, Ohio and Southern California. In order Butcher Photo 12to increase sales, Butcher added color photography. The bulk of his photography during this time took place west of the Rocky Mountains and in the Pacific Northwest.
  • To escape some of the stress of the business, he moved onto a sailboat with his wife where he lived for seven years, moored in the harbor of Newport Beach, California. The boat had Clyde 02electricity and refrigeration, but conditions were otherwise Spartan. Living without a television on the boat gained the family a sense of peace and solitude while they could take advantage of the city.
  • Butcher’s love for boating and the television program Flipper inspired him to explore Florida. Butcher eventually sold his business in California and moved to Florida.

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