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John Seerey-Lester


Artist:              John Seerey-Lester

Genre:             Realist, wildlife, equestrian, landscape

Media:            Oil on canvas and panel; acrylic on canvas and panel; mixed media

Gallery:         Call of Africa’s Native Visions Gallery



His Art:

John Seerey-Lester’s career spans some 36 years, but it can be divided into roughly two phases. Having picked up a brush when he was but nine and having earned his first commission at the tender age of 13, the artist turned professional in 1974 after a detour into the world of journalism and freelance writing. For the next five years, he focused primarily on portraiture and nostalgic streetscapes from Victorian and Edwardian times, where he married his lifelong passion for history with his creative, artistic side.

Cooling OffA turning point in John’s career came in 1979 when, inspired by his respect for fellow English artist David Shepherd, John made an excursion to Nairobi. The trek through East Africa convinced John to switch genres to wildlife art. The trip also fostered in Seerey-Lester a commitment to personally observe the animals he paints in their natural habitat, 7and to give impetus to that resolve, John has subsequently returned to Africa numerous times and traveled to Canada, Alaska, Central and South America, India (to paint tigers), Nepal, China (where he painted rare Giant Pandas in the wild) and even Antarctica.

RogueAlthough he continues to paint both portraits and figurative work, Seerey-Lester’s career in the wildlife genre has become so storied that some have conferred on him the moniker of “the Godfather of Wildlife Art.” Today, however, many associate John’s name with a series of 110 paintings based on 85 true-life stories he began several years ago that depict fictionalized scenes from the Golden Age of Hunting, which began circa 1850 and extended all the way to 1930.

Blitz“When most of those events … took place,” John wrote in 2009 in the Forward of his book, Legends of the Hunt, “there was limited photography or none at all. These images are from my imagination based on the facts as we know them. I pose the models, lay out the artifacts and refer to the many sketches I have done on location, and then compose the painting. They are not illustrations – they are paintings inspired by real events and are hopefully works of art in their own right that bring to life the stories I have retold.”

Campfire TalesJohn’s new series, Campfire Tales, not only includes paintings chronicling the safaris of the early 1900s in Africa and India, but also takes a nostalgic look back at North America’s hunting heritage. Each painting depicts an actual event in hunting history and is accompanied by the story behind the piece.

To render these marvelous works of art, Seerey-Lester must assume the roles of anthropologist, naturalist, historian, costume designed, set designer, director, artist and author. MoonshineIt all starts with an exciting review of the journals maintained by iconic huntsmen like Teddy Roosevelt, Ernest Hemingway, Kalman Kittenberger and Fritz Schindelar, as well as famous huntswomen including Beryl Markham, Karen Blixen, Florence Baker and Mary Kingsley. From there, however, the research can become a little tedious since it is necessary to outfit his subjects with historically-accurate guns, clothing, camping gear and other artifacts. He’s been assisted in the endeavor by the National Rifle Association and has collected a considerable number of rifles and hunting gear over the years for his paintings. “I have all of the guns now and most of the clothing,” Seerey-Lester notes, “which I give to the models that pose for the scenes I create based on my research.”

Ring of DeathFor Seerey-Lester, the accuracy of his paintings is crucial. His aim with each piece is to recreate a real event and bring to life something that happened before the common use of photography. But, the artist is quick to point out, “I have dramatized their stories, but never changed the facts. They are all based on real events.” Fortunately, fiction couldn’t be more amazing.

The Last SafariWhile each of the paintings in both his Legends of the Hunt and Campfire Scenes series dramatically tells a story, Seerey-Lester never lets the viewer forget that he or she is looking at a painting. Each canvas and wood panel is marvelously textured and built layer upon layer through the use of powerful yet economic brushstrokes. Although a realist, the painter refuses to get lost in unimportant details and broad expanses of his support often display almost impressionist stylings which serve to strategically enhance the impeccable details provided where they matter. Each is a work of art that demands and delivers a mastery of not only wildlife art, but figurative work, portraiture, equestrian art, landscape and floral art, and elements of the still life.

John Seerey-Lester is not only one of the biggest names in wildlife art. He deserves to be considered one of the most accomplished and versatile contemporary artists anywhere in the world today.


Awards and Accomplishments

John Seerey-Lester’s originals can be found in some of the most prestigious private and museum collections in the world, including the permanent collection of the White House. Over the years, he has released more than 400 limited edition prints through his publisher, Mill Pond Press. John is also highly regarded as an instructor, offering master classes in painting fur and wildlife art, birds, water and snow, the elements, grass, rock, trees, skies, painting in the field, painting action and movement, composition and the use of light, creating atmosphere, polar impacts, campfire shadows and animals, anatomy and eyes.


Fast Facts.

  • John was born in Manchester, England.
  • John immigrated from native England to the United States in 1982 and received his U.S. citizenship on April 17, 2011.
  • John once owned a home on Useppa Island in southwest Florida’s Pine Island Sound. While living there, he was invited by novelist/historian Dale Ludwig to collaborate on a history of the area, and undertook a series of 80 paintings to illustrate the tome, titled Useppa: A Passage in Time. “That experience inspired my ‘Legends of the Hunt’ series,” John responds when asked how he got the idea for the stories and paintings portrayed in the book.
  • In 2000, John married fellow wildlife artist, Suzie Seerey-Lester.
  • In John’s historical series, Legends of the Hunt and Campfire Scenes, the physical act of rendering the painting takes the least amount of time. Says John, “I can spend months researching the subject of the painting, then considerable time is spent on the concept. How will I translate what is in my head into a painting?”
  • For Blitz (above), he started by going through his field sketches and photos, deciding how to arrange his composition, then did a preliminary sketch. He then gathered his models and dressed them in historically-accurate period costumes and outfitted them with the necessary guns and artifacts. His first sketch was in vine charcoal on canvas. Then using oil, he blocked in the color, which took roughly a day. “I then sat with the painting at this stage for a couple of weeks, while I assessed whether it was going to work or not.” In the case of Blitz, John decided to alter the composition and change the poses of the models before proceeding to the final rendering.
  • Chuck Snyder, his wife Maureen, John’s wife and fellow artist Suzie and Jack Perkins serve as the models in many of Seerey-Lester’s paintings. Perkins, a TV and radio personality, not only resemble Teddy Roosevelt, he is a hunter and equestrian himself. “This provides the added bonus that he knows how to handle and point a gun,” points out Seerey-Lester.


New John Seerey-Lester book pictorially tells campfire tales (12-20-13)


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